Art


Storage Container Mural by Chip Thomas

 

Chip Thomas, Colin Holmes, Racheal Rios & Monique Laraway, 2021

Photos from Racheal Rios

Interview with Chip, 2021

  1. What got you started on your creative process/brought you to where you are now?

I moved to Northern AZ in 1987 and set up a black and white darkroom shortly thereafter. For the next 22 years I spent time in the community photographing and having occasional shows of that work. However, it didn’t feel complete in that the people in the photos weren’t seeing the work. A 3 month trip to Brazil in 2009 led to me spending time with street artists who introduced me to the large, wheat pasted photographs of JR which influenced the work I’m doing now. 

Chip Thomas Mural from jetsonorama.net

  1. What brought you to BICAS, and/or inspired you to contribute the incredible wheat paste mural that went up recently?

I was invited by Kylie Walzak to do an installation at your original site in 2010. I returned in 2011 to install work as well. Then Colin Holmes invited me to do an installation there this year. 

Racheal Rios and Chip Thomas at BICAS, 2021. Photo from Racheal Rios

  1. What are you working on right now?

Well, I’m working on a couple things. I just completed an installation at Fort Garland in the San Luis Valley on Native enslavement from 1492 to the late 1800s. As an extension of that I’m looking at doing an exhibition on the complex history of the Buffalo Soldiers who were stationed at Fort Garland for 3 years in the mid 1860s. They’re recognized and celebrated as Black American heroes but in truth they were freed enslaved people who were seeking acceptance into American society by participating in the settler-colonial narrative of fighting and killing Native people. In order for healing to begin we need to start there. 

Chip Thomas mural from jetsonorama.net

  1. What is the best way to follow your work?

Hit me up at @jetsonorama on the (Insta)gram or follow my blog – jetsonorama.net. Peace.

Chip Thomas mural from jetsonorama.net

Chip and Racheal at BICAS, 2021, photo from Racheal Rios

Follow, support, and shop Chip’s work by visiting the above links. Thank you Chip for your work!

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For questions, mural requests, media, metalworks commissions, information on our Annual Art Auction, workshop information, or parts requests, contact the BICAS Art Coordinator at art@bicas.org or 520.628.7950, or stop by the shop at 2001 N. 7th Ave during our open hours.

Find out more by following BICAS Art on Facebook, Instagram and on our Etsy shop!

     

BICAS Featured Artist AMG

Interview with BICAS Artist Asha Greyeyes

December 2020

BICAS Staff Artist AMG

Available on Etsy

I am from Northern Arizona, on the Navajo Reservation. I have been making things since I was a little kid and my sisters got me into jewelry making in high school. When I first started making jewelry, it was to sell to tourists who visited our area. I really enjoyed making things that were slightly different from the stuff we made to sell and when I think that really contributed to my liking of using bike parts to make jewelry. I personally really like making earrings, they are dangly and eye catching. I’d say I look at stuff that intrigues me then I just start trying to add to it. It starts off with one eye catching piece and I just try to accent or compliment something that’s already so beautiful or interesting.

Available on Etsy

I began at BICAS as a customer. My love for making things with my hand translated well into working with my hands on a bike. I now work at BICAS and still love working on bikes because once you understand how it works, your hands can just do it themselves. Plus the feeling of accomplishment is immediate, which I like. 

 

Yoo’ disxosih by AMG.

I donate to the art auction because I like to make jewelry and I wanna help the place I work. I think being able to use my creativity is a real plus side when helping a cause. I really like the auction pieces that mimic nature. The bike part animals and cactus always get me. I think it works into that love I have for paying tribute or complimenting things that are already so beautiful. 

 

I have no other place I sell or promote my work. They are only available at the BICAS Art Auction but if I ever do decide that, it will probably be how other indigenious artists do today. Instagram, USPS delivery and a payment app. 

Dzidze’ doo nizhoni yoo’ by AMG

Look for AMG’s art work and handmade jewelry on the BICAS Etsy page and in the Staff Mini-Auction up on EBAY

 

Racheal Rios Auction T-Shirt Interview

 

We loved getting to interview local artist Racheal Rios (@rachealrios on Instagram) this past week! Racheal describes her love for BICAS that went into her fabulous 2020 Mini-Auction t-shirt design. Thank you Racheal for your shout-out to BICAS essential services, which have allowed us to re-imagined the way that we engage with and learn alongside the community in assisting with equitable transportation for all. Purchase Racheal’s shirt and BICAS shirt by staff artist Jreems Kmchroo (@jreemskmchroo on Instagram) at https://shop.creamforever.com/collections/bicas-bicycle-inter-community-art-salvage-, and, don’t forget to check out our mini-auction on eBay from this Sunday, Dec 6 at 9AM MST – Saturday Dec 12 at 9PM MST!! More information at www.bicas.org/art-auction! Thank you in advance for your support!

 

Posted Wednesday, December 2, 2020

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Photo of a person standing next to a large metal sculpture of a heron

BICAS Artist: Colin Holmes

Interview with BICAS Metalwork Artist Colin Holmes

November 2020

This month we got to sit down with Tucson community artist Colin Holmes @rustypedal and learn more about what has inspired his art. BICAS has been so lucky to have Colin’s support at our annual Art Auction year after year.

Tell us, what got you started making art?

Desert Scene by Colin Holmes, 2017

I’m a fourth generation Tucson resident. Growing up here, on O’Odham and Yaqui land, I’ve always been inspired by the culture of recycled art and upcycled objects.  As a kid I used to walk by a house on my way to school that had sculptures and gates and security bars made out of motorcycle parts. I remember being transfixed and excited by the uniqueness of it.  My mom was an art teacher in TUSD for decades so I grew up with the idea that creativity and art are really important to culture and community.  We used to stop and look at murals, hang out with popular local artists, and do art activities at home all the time. I remember seeing the, now removed, bicycle art on fourth avenue and thinking how amazing it was that people could take these objects that were other people’s trash and turn them into beautiful, functional and exciting art. 

What brought you to BICAS? 

In 2008 my sister started riding bikes with a BICAS program at City High called El Grupo.  She had been having a hard time in school and all of a sudden she seemed stoked about life, and riding, and the community that she had found.  She built me a bike at BICAS and asked me to start riding bikes with her.  Her enthusiasm was infectious so I was stoked to oblige. 

This brought me to BICAS and I was completely hooked from the second I walked into that post apocalyptic wasteland that was the old basement space at Citizens warehouse. I couldn’t believe how magical it all was.  Piles of trash being turned into machines and art and education and community.  The culture felt right to me. It felt like it was based on love and inclusivity.  It was so different from the corporate engineering work I had been doing as an intern at the U of A.

Franny by Colin Holmes, 2015

 

Since that fateful first trip down the ramp I really never left. Embracing the BICAS mindset was a complete paradigm shift for me. It reawakened my creative side and got me making art again.  

 

I’ve been honored to make and donate art to the art auction every year because it is labor that has really tangible positive impacts on the community.  It makes folks happy, it raises money for really important programming, and it’s just straight up cool.

 

Where do you get your inspiration for your sculptures?

Hummingbird by Colin Holmes, 2019

My art hasn’t just been informed by the objects I use to make it, it’s also influenced by the act of riding a bicycle. I’ve always felt a connection between the experience of traveling by bicycle and art made out of bicycle parts.  It’s this connection that leads me to make sculptures of my favorite feelings while riding a bike.  Sometimes it’s that moment sitting in the desert with my bike leaned against a saguaro watching the sun set over the tucson mountains, or sometimes it’s a roadrunner crossing my path on the loop, and occasionally it’s that breathtaking moment that brings me to a halt as I watch a great blue heron take off from the Sweetwater Wetlands or a hummingbird whirring around the flowers at Patagonia lake while on bike tour.  

 

Do you have a particular piece you are most proud of? 

Great Blue Heron by Colin Holmes, 2019

I’m most proud of the Great Blue Heron that I donated to the 2019 BICAS Art Auction.  Ever since I started welding and making bike art at BICAS I dreamed of making one of those special pieces that folks remember. Like Troy Neimans’s Javalina or Zach Lihatsh’s Chiuahua or Kathy Franklin’s Dragon.  For me the accomplishment of completing that sculpture felt like I had reached a next level of skill.  It was a breakthrough piece and it meant the world to me that it raised so much money for BICAS and received so much recognition from the community.

 

Check out more of Colin’s work at rustypedal.com
Follow his social media accounts:
https://www.instagram.com/rustypedal/
https://www.facebook.com/rustypedal